twitter facebook
sfaq_logo

Tag Archives: VAS

ArtPad SF Highlights Part 2 of 2

We have one more day (Sunday) to see the fairs while they are in town.  It’s your chance to get an idea of the programming from local, national, and international galleries all in one, actually two locations in San Francisco. This is part 2 of 2 of the highlights from ArtPad SF 2013.  Enjoy the images below, and make it out to the Tenderloin/Lower Polk area to hang out by the pool, have some drinks, and enjoy some artwork by hundreds of artists.  More coming soon from ArtMRKT San Francisco.

Also we would like to congratulate the graduating class of 2013 from CCA, SFAI, and Mills College. Stay connected to you artistic practice and make your mark in art history!!!

 

What is Art? Live!!! is at ArtPad SF again this year and they have a booth dedicated to their television/online show displayed on flat screens as well as some artwork on the walls.  If you haven’t seen their show before find it online.  It’s g-r-e-a-t stuff.

 

 

DSCN2242

 

Queens Nails Gallery is at ArtPad too, one week after being in New York for NADA art fair.  Their jet setting lifestyle shows how dedicated they are to their artists as well as their curatorial duties.  Queens Nails has been pushing the bar for progressive experimental art in the Bay Area for years and they don’t plan on stopping anything soon.  Their room has some really great works that need your time and attention.  Visit them and say hi.

 

 

DSCN2247DSCN2250DSCN2248DSCN2252

 

Oakland is at ArtPad SF and is making sparks fly with their video and photography program.  Krowswork is one of the most experimental spaces in Oakland pushing the digital and photographic art forms.  Installation and sculptural works make their way into the program but are sometimes necessary and attractive accents to the exhibitions.  Krowswork really did a great job at their booth this year.

 

 

DSCN2261DSCN2258DSCN2262

 

Johansson Projects is back for their 3rd year at ArtPad SF.  Johansson Projects has been an anchor for the Oakland art community and were one of the first galleries who promoted experimental works and installation, working incredibly hard to make their mark in the East Bay.  Check out their booth at ArtPad SF to see what they have in their annual program.

 

 

DSCN2270DSCN2268DSCN2269

 

Blythe Projects came up from Los Angeles again.  Here are a couple works that i saw people huddled around during the opening party.  Good to see LA in San Francisco.  Welcome, come again soon.

 

 

DSCN2273DSCN2274

 

One gallery I was particularly excited to see at ArtPad SF was Moniquemeloche Gallery from Chicago.  Chicago has an incredible art scene right now.  They are slowly branching out to surrounding cities and it is a pleasure to have a Chicago gallery in San Francisco.  The sensibility of art is very different from the Bay Area and is refreshing to see in the city.  Make your way to visit this room, a must see.

 

 

DSCN2282DSCN2283DSCN2285DSCN2286

 

Steven Wolfe is another San Francisco gem.  Their room is well articulated with some interesting work that will hold your attention for more than a quick glance.  Their window display is very eye catching, peeking from behind some palms on the second floor of the hotel.  Another booth re recommend you to spend some time in this weekend.

 

 

DSCN2276DSCN2277DSCN2278

 

Unspeakable Projects from San Francisco are at ArtPad and brought some interesting flat and sculptural works.  It was pretty crowded in their room when I went in and could only get a couple good images.  Find you way to their booth to see more.

 

 

DSCN2280DSCN2279

 

Mark Wolfe Contemporary is a local gallery in downtown San Francisco who has been exhibiting work seen seldom in the Bay Area.  Some of the paintings they had on view I never seen before an was completely thrilled to see their inclusion in their programming.  They killed it this year, returning back to ArtPad in 2013.  Visit Mark Wolfe Contemporary’s booth to see some really amazing paintings.

 

 

DSCN2293DSCN2290DSCN2292DSCN2289

 

New Image Art from LA came up to join us again in San Francisco art ArtPad SF.  Their booth is the largest at the fair bringing some of the largest works on view at the fair.  The production of their efforts is admirable, and can be easily detected when stepping into their space.   More and more LA in San Francisco.

 

 

DSCN2296DSCN2297

 

Last but not least is beta pictoris gallery and Maus Contemporary from Birmingham, Alabama.  I’ve heard of these galleries before but haven’t had the opportunity to see the work they show in person.  I don’t see a trip to Alabama in the near future, so thank you for making it convenient for us Bay Area dwellers.  Below are a few amazing paintings that need to bee seen in person and not on a computer screen… but ill upload them anyways to make it easy.  Enjoy.

 

 

DSCN2299DSCN2300DSCN2301

 

This concluded the coverage for ArtPad SF 2013.  Hope you enjoyed the photographs and get inspired to see the fair for yourself.  Good excuse to hang out by a pool for a few hours.  A very rare opportunity in this rain and fog plagued city.

 

For more information visit here.

 

 

Posted in current | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

ArtMRKT San Francisco Highlights Part 1 of 3

ArtMRKT is attracting a huge amount of attendees with thousands of individuals flowing into the front doors of the pavilion at Fort Mason in the Marina District of San Francisco.  Compared to 2012 this years new location at Fort Mason is much more suiting for the exhibitors at ArtMRKT with high ceilings, skylights, and the bay water rippling on both sides of the building.  The white cube fair allows for galleries to exhibit works from their program at ease on blank white walls that resemble traditional art galleries.  The fair has a wide range of galleries participating from alternative spaces, non profits, emerging, and the blue chip galleries from around the nation.  Find time to enjoy an afternoon at Fort Mason with your friends and family and check out this fair.  There’s also much more to do around the perimeters of Fort Mason including hiking and good eats.  SFAQ has complimentary day passes for you.  Follow the link here.  Enjoy.

 

Lets begin with Edward Cella Art + Architecture from Los Angeles.  As you walk into the exhibition hall, the East corridor you will find yourself faced with their selection of works.  A couple pieces attracted a crowd and their booth was a nice introduction to the fair.

 

 

Mark Harrington

Mark Harrington

Video by George Legrady

Video by George Legrady

 

Catharine Clark Gallery brought some impressive works with her this year.  The gallery is currently moving from its SOMA location next to SFMOMA to Potrero Hill in San Francisco.  The new warehouse space is getting build now as we speak and will be an amazing venue for her programming.  Brian Gross’ new gallery will be included in the building, adding a different artistic sensibility to the block.

 

Al Farrow

Al Farrow

Titus Kaphar

Titus Kaphar

 

Eli Ridgway Gallery brought a little bit of everything from their programming.  The gallery resides next to SFMOMA and is now at ArtMRKT for the weekend to show off what artists have exhibited the past couple years.  Eli Ridgway Gallery is a popular destination for art enthusiasts and if you haven’t attended one of their opening, find the time to go one evening.  Great gallery, great owner, great artists.

 

 

Matthew Palladino

Matthew Palladino

Brion Nuda Rosch

Brion Nuda Rosch

 

James Sterling Pitt

James Sterling Pitt

 

Ever Gold Gallery and Park Life from San Francisco are sharing a booth and bringing an amazing selection of works from their artists.  The Ever Gold Gallery is a great contemporary space in the Tenderloin bringing some of the most progressive programming to the cultural landscape of San Francisco.  Commonly known as one of the few gems in the Tenderloin District for their artistic efforts.  Park Life is a hybrid gallery and retail space in the Richmond District and are also commonly known as a gem for their neck of the city.  Last year they brought a few retail items to their booth, but this year they decided to go forward and show simply works from their exhibition calendar for the past couple years.

 

 

Installation view.  Mark Mulroney, Sandy Kim, and Adam Parker Smith

Ever Gold Gallery Installation view. Mark Mulroney, Sandy Kim, and Adam Parker Smith

Adam Parker Smith.  Ever Gold Gallery.

Adam Parker Smith. Ever Gold Gallery.

 

Adam Parker Smith.  Ever Gold Gallery.

Adam Parker Smith. Ever Gold Gallery.

Park Life Installation view.

Park Life Installation view.

Tauba Auerbach.  Park Life.

Tauba Auerbach. Park Life.

 

Swarm Gallery from Oakland is at ArtMRKT, who have recently announced that they will be closing their doors this year.  Even though they are closing, their participation in the fair shows their dedication to their artists and their program.  Its great to see a space going out with a BANG.  A truly well articulated booth; a must see.

 

 

IMG_4148IMG_4150IMG_4149

 

Another Oakland gallery, Chandra Cerrito came to ArtMRKT bearing many sculptures by Bay Area artist Randy Colosky.  His work has developed over the years and are worth a visit.  Below are a few that were brought along to Fort Mason.  Nice to see Oakland representing in San Francisco.

 

 

Randy Colosky

Randy Colosky

Randy Colosky

Randy Colosky

 

 

KALA Institute is one of the most amazing non profits in the East Bay and have a solid booth with pretty to look at.  Offering some of the most amazing classes and workshops, fellowships, and exhibition program it is great to see them at ArtMRKT.  Check out their studios and gallery off Ashby and San Pablo in the East Bay someday if you ever close by.

 

 

 

KALA Institute installation view.

KALA Institute installation view.

 

Hespe Gallery came with a wide selection a swell for your viewing pleasure.  Here are a couple works that caught my attention.  Kim McCarty is great LA based artist and recently written about on the SFAQ blog for here project at the Santa Monica Museum of Art.

 

 

Kim McCarty

Kim McCarty

Lawrence Gipe

Lawrence Gipe

 

Jordan Faye Contemporary came all the way from Baltimore to join us on this sunny San Francisco weekend.  They brought one of the more impressive sculptures to the fair, which splits their space in half.  A great center piece for their booth made from 150 year old reclaimed wood.

 

 

Lat Maylor

Lat Maylor

 

Julie Nester Gallery from Park City came to San Francisco’s ArtMRKT this year.  Wasn’t too familiar with their programming but was an enjoyable experience visiting their booth.  A couple great circular sculptures stand in the space that brought me across the hall to say hi.

 

 

Installation view.

Installation view.

Duncan Johnson

Duncan Johnson

 

An international gallery called Sundaram Tagore Gallery came to San Francisco and have galleries in New York, Hong Kong, and Singapore.  Sounds like a huge operation their running and it was great to see their incorporation in a fair in the Bay Area.  The Bay Area get scrutinized for the lack of collectors, but they came across the country and globe to see what collectors in San Francisco are interested in their artists.  A couple gestural paintings stood out.

 

 

Vittorio Mating

Vittorio Mating

IMG_4119

 

Tel Aviv is in the house and brought some very large scale works to San Francisco.  Zemack Contemporary Art is in the Bay Area, bringing a great discourse to visitors at the fair.  It is great to see their efforts to connect to the artistic community here.  Many people were strolling by their space snapping photo with the iPhones.

 

 

Installation view

Installation view

Mira Maylor

Mira Maylor

 

Jack Fischer came to ArtMRKT too and brought a couple heavily textured paintings that caught my attention.  These photos don’t do the work justice, and deserve a visit in person.  The thick application of paint becomes hypnotic and you stare deeper into the surface of the works.

 

 

IMG_4126IMG_4127

 

Mindy Solomon Gallery is back this year at ArtMRKT and brought an even selection of sculptural and flat works fro you to see.  The works on view complement one another and easily accompany each other in the booth.  Mindy Solomon Gallery is located in St. Petersburg, Florida.

 

 

Installation view

Installation view

IMG_4130

 

Another San Francisco gallery, Mirus Gallery, came to ArtMRKT.  Recent addition to the SOMA art scene, Mirus has been bringing a new venue for some interesting artists.  Some of them rooted in spiritual geometries, and others in formal aesthetics of materials.  Check out these works in person, they have an effect close to psychedelics on a sunny San Franciscan grass covered hill. Enjoy.

 

 

Installation view

Installation view

IMG_4135IMG_4133

 

 

Thats it for now.  More coming soon.  Enjoy.

 

For more information visit here.

 

 

 

Posted in current | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

ArtPad SF Highlights Part 1 of 2

This is an insane weekend for San Francisco, with 2 art fairs, 2 MFA exhibitions, 2 graduation ceremonies, galleries reopening their spaces, and all the openings, screenings, and performances too.  We will be posting continually on the fairs in SF, and then follow up with the MFA exhibitions at CCA and The Old Mint for SFAI next week.  We hope you enjoy the posts, and don’t forget to visit SFAQ at the fairs to pick up the newest issue.  This is a quick breeze through the exhibitions to give you an idea of what to expect with some snap-shots for your eyes to chew on.

 

Lets begin with The Popular Workshop, a great gallery in the city pushing progressive work that you and everyone’s mom needs to check out.  They have a solid booth and the walls are completely covered with little room to spare.  Many galleries clutter their space, but they managed to make it work.  Visit there current show too, close to Sutter and Polk Streets.  Its worth a trip to the Lower Polk area.

 

 

DSCN2221DSCN2220DSCN2222

 

Next is CES Contemporary from Laguna Beach.  They same from sunny Southern California to give you a taste of their programming.  Good to know that Laguna Beach has some contemporary spaces that promote some interesting work.

 

 

DSCN2230DSCN2231

 

The next booth is a complete gem and is one of the most amazing alternative galleries in San Francisco and the greater Bay Area.  2nd Floor Projects is  a-m-a-z-i-n-g  and if you haven’t had the chance to visit you should.  Their flat file sales are special and very few people know about what they do.  Margaret Tedesco runs the space and curates the gallery’s programming as well as her archived library of ephemera and texts.  I bought a rare record by The Alps with packaging that Tauba Auerbach designed using her unique pop up paper processes.  The Mike Kuchar can also be found here at her booth, so check out what else she brought in person.  Definitely a must see, and meet Tedesco in person, she’s awesome.

 

 

DSCN2233DSCN2235DSCN2237DSCN2236DSCN2239

 

Electric Works came and brought some Robert Minervini paintings with them.  Minervini is their current show at their new space in San Francisco and is worth a visit.  Great painter based in San Francisco who is currently abroad for the next few months making new works for your viewing pleasure.

 

 

 

DSCN2255DSCN2254

 

Last for the ArtPad SF highlights part 1 of 2 is Walter Maciel Gallery from Los Angeles.  This piece on the back wall of their booth was getting attention from visitors during the opening party.  Nice to see some LA in SF.  Doesn’t happen enough.

 

DSCN2266

 

That’s it for now.  More coming soon.  For more information visit here.

 

 

Posted in current | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Koen Vanmechelen’s “Leaving Paradise” at Connorsmith Gallery in D.C.

Installation view. Courtesy of gallery.

Installation view. Courtesy of gallery.

"Leaving Paradise", 2013. Taxidermied Red Jungle Fowl (chick), wood, 8 x 8 x 8 inches, unique. Courtesy of gallery.

“Leaving Paradise”, 2013. Taxidermied Red Jungle Fowl (chick), wood, 8 x 8 x 8 inches, unique. Courtesy of gallery.

 

Animal breeding has always been a highly aestheticized field; we select and perpetuate certain genetic traits based on how well they fit the “look” of a species. The results often  says more about civilization, and man’s relationship with the wild, than it does about the natural order. Koen Vanmechelen’s art, currently up in a new show “Leaving Paradise” at Connorsmith Gallery in D.C., has examined this relationship for years now, producing a prolific body of art and scientific research all things chicken related.

 

 

Installation view.  Courtesy of gallery.

Installation view. Courtesy of gallery.

Cosmopolitan Chicken Project (C.C.P.), 1999-2013
Pedigree installation.  Courtesy of gallery.

Cosmopolitan Chicken Project (C.C.P.), 1999-2013
Pedigree installation. Courtesy of gallery.

 

 

Koen would be the first to say that it’s not about the chicken at all. Chicken portraits, taxidermy chickens, a chicken eye video loop, and indeed, a live chicken installation piece may be enough to convince you that the artist has a peculiar fowl obsession, but this work is all but a cog in an ultimately larger view, for Vanmechelen the chicken represents humanity in general. He has been steadily working for some time on a “Cosmopolitan Chicken Project” in which he has been breeding birds from different global regions to counteract their domestic traits. Rumor has it he’s produced a chicken that can fly, this being the ultimate symbolic liberation for the flightless bird, an inherent contradiction and testament to the artificiality normally imposed on domestic breeds. His fixation on biodiversity is not in the traditional “heirloom” sense, rather than breed chickens back to their ancestral origins, his breeding perpetuates their evolution, giving the chicken a chance to forage a new identity.

 

 

Natural Knowledge, 2013. encyclopedia of human rights, chicken feet (Red Jungle Fowl), wood, 19.75 x 12 x 8 inches, unique.  Courtesy of gallery.

Natural Knowledge, 2013. encyclopedia of human rights, chicken feet (Red Jungle Fowl), wood, 19.75 x 12 x 8 inches, unique. Courtesy of gallery.

Carried By Generations, 2011. chicken feet, glass, 6 x 18 x 10.75 inches.  Courtesy of gallery.

Carried By Generations, 2011. chicken feet, glass, 6 x 18 x 10.75 inches. Courtesy of gallery.

 

 

Though scientific are employeed in his artistic pursuits, Vanmechelen remains at a distance from the scientific world, and firmly rooted in art practice. The chicken has become a medium for him to disseminate his views on globalization, humanity, identity and personal agency, his extensive record of the process feels more relevant to certain Earth Artist practices of the 1970’s where artists would produce something outdoors, usually ephemeral and hard for any other humans to view, rendering the related documenting photos and artifacts the “art” for purposes of gallery shows and sales. This focus on the work, a process, and not the product, a commodity, feels faintly retro in its adherence to proto post-modernist rejection of the consumer orientation of the art world. The objects produced are beautiful, disturbing, iconoclastic and creative, but the ideas behind the work he does is where the real art happens.

 

For more information visit here.

 

-Contributed by Kathryn McKinney

 

 

Posted in current | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Art fair weekend in San Francisco: ArtMRKT and ArtPad SF, May 16-19

Tonight is a busy night for San Francisco, especially with the two art fairs in town.  ArtMRKT and ArtPad SF.  Below are descriptions of both fairs and what they are up to this evening.  Both fairs will be available for viewing from May 16th-19th.  SFAQ is a proud sponsor for both fairs and will have the new issue #13 available for pick up.  For more information follow the links below in the post.  We will also be blogging from the fairs this weekend on SFAQonline so check back in to see whats on view soon. Enjoy and see you out there this weekend.

 

 

artMRKT2013_small2

 

ArtMRKT San Francisco, the Bay Area’s premier contemporary and modern art fair, will feature 70 galleries from around the globe, bringing some of the world’s most intriguing artists and galleries to San Francisco. In showcasing historically important work alongside relevant contemporary pieces and projects, artMRKT will create an ideal context for the discovery, exploration and acquisition of art. ArtMRKT will be at Fort Mason in the Maria District of San Francisco.

 

2013 ArtCare Award for Excellence in Civic Arts Patronage: Honoring Mrs. Diane B. Wilsey

Thursday, May 16th | 5:00PM – 6:00PM

The annual ArtCare Award recognizes significant contributions to the city’s cultural sector and the preservation of its Civic Art Collection.

 

Opening Night Party

Thursday, May 16th | 8:00PM – 10:30PM
The night continues with a party open to Opening Night Benefit Preview & Reception ticket purchasers, Opening Night Party Pass and VIP Pass holders.

 

SF Jazz High School All-Stars Combo

Open to Opening Night Benefit Preview ticket purchasers.

Thursday, May 16th | 6:00PM – 8:00PM

 

Miss Conception

Open to Opening Night Benefit Preview & Opening Night Party Pass holders

Thursday, May 16th | 6:00PM – 10:30PM

Michele Pred’s performance piece is a wry commentary on 21st century sexual politics, with a focus on birth control and beauty. Her outfit includes a 60′s era beauty pageant dress, along with a rhinestone tiara covered in birth control pills. She will engage with visitors and give out out hand-lettered cards with intriguing misconceptions about reproductive rights . Additional work by the artist can be viewed at Nancy Hoffman Gallery.

 

For more information on ArtMRKT visit here.

 

 

ArtPadSF 2013 Web Badge

 

Opening Night Beneficiary: SFMOMA SECA Art Award

Opening night of ArtPadSF 2013 will benefit the upcoming SFMOMA SECA Art Award exhibition with an evening of special programming created in partnership with the museum. This event will be a multisensory extension of ArtPadSF’s unconventional downtown aesthetic with entertainment to hear, watch, and taste. Synthpop and Chillwave band Altars will play between 6PM-8PM, followed by a DJ set by Altar’s Bertie Pearson. At 7PM the San Francisco Tsunami Swim Club, a gay, lesbian, bisexual, transgender and straight-friendly masters-level swim team, will perform a synchronized swim in the Phoenix Hotel pool. Throughout the night, Thought for Food will offer their conceptual based concessions, replicating the taste of “sun, sand, and sea” on mini surfboard styled sticks with a debut flavor, the BELLY FLOP.

 

Opening Night Video Programming Partner: BAM/PFA

On the opening night of ArtPadSF, the UC Berkeley Art Museum and Pacific Film Archive (BAM/PFA) will present an outdoor video installation by Bay Area-based artist Andrew Benson, curated by BAM/PFA Video Curator Steve Seid. Shine Bright Plastic Diamonds is a digital mural that will be projected onto the six-story building adjacent to the Phoenix Hotel. Benson has created software that incorporates a number of image sources into one rushing, time-based artwork that continually reinvents itself in exuberant and saturated colors. Fairgoers can catch a glimpse of their own silhouette as the artwork will incorporate images of the fair via live footage capture.

 

For more information on ArtPad visit here.

 

 

Posted in current | Tagged , , , , , , , , , , , , , , , , , | Leave a comment

“Currency” SFAI MFA Exhibition at The Old Mint, San Francisco. May 16-19, 2013

23381365013484-CurrencyAd

 

Opening tomorrow May 16th is “Currency”, SFAI’s MFA Exhibition featuring works by the graduating class of 2013.  The exhibition is housed within the historical building The Old Mint in downtown San Francisco at 88 5th Street.  The exhibition will be on view until May 19th 11 am–6 pm daily and the Opening reception is Friday, May 17, 7–9 pm.

 

“Currency”, a showcase of provocative new work from nearly 100 emerging artists. At a time in our society when many are reflecting upon national economic conditions. The Old Mint offers a unique opportunity for SFAI’s artists to juxtapose contemporary expression with a stunning National Historic Landmark that was central to the country’s economic development. SFAI’s 2013 MFA graduates—working in painting, photography, printmaking, film, sculpture, installation, digital media, performance, and across media—will present work that embraces the Institute’s signature spirit of experimentation and conceptual risk-taking. The result of an intense period of collaboration, critical engagement, and artistic development, the work reflects both current dialogues in contemporary art and strong individual points of view. In addition, many artists have created site-specific pieces that respond to the history, character, and physical spaces of The Old Mint. SFAI has been at the vanguard of contemporary art for more than 140 years. “Currency” invites curators, collectors, critics, family, friends, and the general public to discover the next generation of pioneering artists from this celebrated institution.

 

For more information on the exhibition and view the catalogue please visit here.

 

 

Posted in current | Tagged , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

CCA MFA Show 2013 opens tomorrow May 16th, 2013.

cca_mfashow-2013

 

Opening tomorrow Thursday, May 16th (6-10pm) is the California College of the Arts’ 2013 MFA Thesis Exhibition. The exhibition features works by 75 artists graduating this spring from CCA’s Graduate Program in Fine Arts. It unfolds throughout CCA’s San Francisco campus, giving visitors an opportunity to tour most of the college. The MFA Show will be a dynamic exhibition of work in a vast range of media. It is curated by faculty member and respected writer and art critic Glen Helfand, who notes, “CCA’s MFA Show is always a wonderful opportunity to introduce a new group of imaginative, innovative, emerging artists to the CCA and Bay Area communities. The exhibition runs through Saturday, May 25, 2013 (open daily, 10am-7 pm).

 

“This year the show is particularly rich in photographic works and immersive, media-based projects. It reflects a diverse range of interests and approaches, and will surely make for a highly engaging visitor experience.”

 

The MFA Show, its popular name, is part of a larger year-end celebration called Upstart that includes thesis exhibitions by all CCA graduate programs, the Baccalaureate Exhibition (May 16-21), featuring senior presentations by undergraduates, the Annual Fashion Show (May 17), and much more!

 

See cca.edu/upstart for the full list of events.

 

Posted in current | Tagged , , , , , , , , , , , , , , , , , , , , , | Leave a comment

“Medium Earth” at REDCAT, Los Angeles

The Otolith Group, “Medium Earth,” 2013, production still. Courtesy the artists.

The Otolith Group, “Medium Earth,” 2013, production still. Courtesy the artists.

 

A drone so steady and opaque it becomes the sound of amplified silence, opens The Otolith Group’s “’Medium Earth.” A mundane parking structure (location: seemingly anywhere USA) synchronizes with the drone, as it rhythmically pans across the screen. The tail end of a Ford Explorer (or something like it) uneventfully floats into the frame. Low-lying is the point of view, scrolling downward while settling for an instant on its California license plate. Now, zeroing in, the pace quickens and descends toward a deep crack on the ground of this structures’ cement. Almost Lynchian, the drone sound morphs into a dramatic score penetrated with high-pitched eeks and bleeps, as the viewer plummets into the dark void of the narrow fissure.

 

 

The Otolith Group, “Medium Earth,” 2013, production still. Courtesy the artists.

The Otolith Group, “Medium Earth,” 2013, production still. Courtesy the artists.

 

Recovering from the depths, an expansion of rocks juxtaposed with a robin’s egg blue sky emerges, the drone evens to the likeness of winds and cicadas. Here is the unmistakable sight and sound of a Californian desert. A mountain of dusty avalanche prone, Mars-like rocks teeters atop each other. Slowly, the loose granite transitions to a sidelong cross-section view of a canyon wall, thick folds of rock glide along like rippled fabric formed over millennial. Once again, a drone begins this time it is that of a freeway. The expansive desert with its wide field of vision descends to a new view, modern man’s roads.

 

 

The Otolith Group, “Medium Earth,” 2013, production still. Courtesy the artists.

The Otolith Group, “Medium Earth,” 2013, production still. Courtesy the artists.

 

London based collective The Otolith Group helmed by founders Anjalika Sagar and Kodwo Eshun, teamed with REDCAT to present a 41-minute video essay  “Medium Earth,” that outlines, “stillness of sedentary life and the slowness of cinematic time.” This visual presentation, a glimpse into this collectives proposed future films, utilizes the visible to speak of that which is not seen, namely: seismic activity. The tectonic drama unfolding beneath Earth’s surface manifests in the manmade: breakages in concrete and mans futile repairs on the roads (one can also argue its presence in the glimpse of the magnified desert floor, cracked and moisture thirsty). The film itself is poetic and speaks to a Southern California condition. Indeed, the pace is meticulous but keeps a visual rhythm throughout, reminding the viewer of the textured beauty and natural grace of this terrain. “Medium Earth,” commands a meditative state, but the visual inspires an appreciation. As exhibition essayist, Aram Moshayedi notes, “Medium Earth” turns the desert landscape’s otherwise mute inhabitants into characters whose gravitas unfolds within the frame of cinematic time.”

 

For more information visit here.

 

-Contributed by Bianca Guillen

 

 

Posted in current | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

“Have you seen my privacy?” at Concord Space, Los Angeles

Image courtesy of Brigitte Nicole Grice

Image courtesy of Brigitte Nicole Grice

You are asked to participate in a dance exercise. The prompt is simple. You and a partner will be using the basic materials of the human body and memory.  You will shut your eyes, as the other partner holds you, guiding you as you walk backwards. As you are walking backwards, eyes shut, you are telling the partner about a room, your bedroom, turning that private moment into a shared space, a public space. The setting of your private bedroom enfolds through your blind steps backwards:

 

“The room is warm. There are wooden floors, a wooden bed frame sits in the corner adjacent to the door, beside a large window. There is a sullen brown teddy bear resting on the bed upon two cream pillows. Propped and place inanimate object.  There’s a stack of books beside the bed, a towering theme of sexuality, love, and poetics: “Rilke on Love and Other Difficulties”, Anne Carson’s “Eros”, Michel Foucault’s “History of Sexuality”, and Marquis de Sade’s “Juliette.” The bed is made but sloppily as if I left it too quickly, not wanting to return. Beside the bed are more books, a pen, a piece of paper with remnants of writing, and glass of water gone unsipped from the night before. ”

 

“Have you seen my privacy”, a one-night exhibition, of installation and performances, explores the question if privacy still exists and, like the exercise above, blurs the boundaries of public and private, activating these ambiguous boundaries into experiential arrangements. Further the curators, Marco Franco Di Domenico and Tony Banuelos, are trying to question when and if privacy occurs can we also turn off our respective mental capacities towards the art world, the critical world, the poetic world, the technological world, and the public world; or are we constantly colliding between the gray area of these two spheres, public and private, nestled in between a continuum:

 

“Our space exists in a state of flux, sometimes private often public: the most public parts in the space can easily become private while the most private things can become far too public. We can’t resist this. We invite this. For this event we have invited several artists to interrogate this indeterminate space. Gallery meets bedroom.  Private conversation becomes a street scene, a traffic jam. Spaces collapse, and dishes even, into one with a collective hum. From an observation deck you can see what is ours, and what’s ours is yours.”

 

 

Eirik Schmertmann’s “You need not worry about your future. 9 62 13 4” Exhibition in preliminary stages. Image courtesy of Brigitte Nicole Grice

Eirik Schmertmann’s “You need not worry about your future. 9 62 13 4” Exhibition in preliminary stages. Image courtesy of Brigitte Nicole Grice

Concord Space, already an artist-run experimental venue that produces a literary publication and residency program, pushed the already present establishment as a live-work space into a dizzying carnival of intimate segregated happenings dispersed into bedrooms and collective participatory work occupying living rooms overlapping spaces into a circle of ours and yours turned to all.

 

The exhibition’s entrance through a reductive state of a bedroom, a cubed box fit just for a bed, culls up notions of intimacy as each guest is flung to dirty the sheets of the bed, whether jump, crawl, linger or climb through the unexpected entryway of Eirik Schmertmann’s piece “You need not worry about your future. 9 62 13 4”.

 

Questions of what really can be left private any more dangle in your ears as artist Sarah Peterson invokes her “Consecration Vibration Sensation”, three minutes of group humming, turning the vulnerability of a private act into the art of public sharing. The vibrational magic of a simple gesture is felt and carries on into the night as Keith Rocka Knittel teaches a more combustive buzz in his kitchen demonstration piece “How to Make Smoke Bombs.”

 

 

Tracy Jeanne Rosenthal’s “Fear of Missing Out (FOMO)”.  Image courtesy of Brigitte Nicole Grice

Tracy Jeanne Rosenthal’s “Fear of Missing Out (FOMO)”. Image courtesy of Brigitte Nicole Grice

The removal of public/private boundaries was echoed with the technological eye and how our social web presences have become imbedded with our real world interactions at times becoming the same as can be seen in Tracy Jeanne Rosenthal’s piece “The Fear of Missing Out (FOMO)” where we voyeuristically watch the artist from a U-stream feed of her inside a hotel room in New York, drinking, ordering, room service, texting, flirtatious parading around the room, while reading hotel theory.  The artist’s non-physical presence creates a public web presence that we all can revel at from a safe distance of the unknowing gaze that is the internet.

 

Everything from the entrance to the removed-door bathroom was a riddle of engagement and a constant hinting at the fulfillment of the forbidden, the allusions of private movements turned into theatrical and performative displays.  And at the end of the evening, you leave the same way you entered, through the bedroom, dirtying the sheets, living your marks, your secrets, your impressions with the sheets.  But, in the end, it can never all be private and it can never all be public.

 

 

Yoshie Sakai’s “Zoshie, the insecure psychic in training”.  Image courtesy of Brigitte Nicole Grice

Yoshie Sakai’s “Zoshie, the insecure psychic in training”. Image courtesy of Brigitte Nicole Grice

 

 

“Have you seen my privacy?” at Concord Space, Los Angeles.  Friday April 19th, 2013. For more information visit here.

 

-Contributed by Brigitte Nicole Grice

 

 

Posted in current | Tagged , , , , , , , , , , , , , , , , | Leave a comment

“LOW SUBJECT”: DAVID BAYUS – KATE BONNER – NICO KRIJNO Opens tonight, May 10th at The Popular Workshop, San Francisco

Exhibition poster.  Courtesy of the gallery

Exhibition poster. Courtesy of the gallery

 

Tonight at The Popular Workshop San Francisco is a group show “Low Subject” featuring new works by Kate Bonner, David Bayus, and Nico Krijno.  The show description describes a work of art being understood as something that embodies itself is perhaps the oldest myth in art. A painting or sculpture is a reflection; a documentation of a process. If transparency is possible in the production of art, acknowledging this condition is the first step. The second one is acting on it.

 

 

Image courtesy of the gallery

Image courtesy of the gallery

 

Kate Bonner, David Bayus, and Nico Krijno’s work all complement one another through their production and presence within the space as finalized art objects. The field of documentation, a popular subject of discourse in contemporary art, and specifically the subject of documentation as art is explored here by these three artists. Their work challenges both the notions of what it means to photograph a work of art as a starting point for a piece, the piece itself, and the following dialogue that ensues. Bayus, Bonner and Krijno’s work inhabits all three of these spaces simultaneously. When viewing any of these works, one finds themselves looking at shadows on the wall, with the “original” artwork somewhere hidden from our view behind a curtain, or perhaps not at all. In a sense, this body of work reveals the false promise of all images, that there was ever an original in the first place.

 

The opening reception is tonight May 10th  6pm-10pm.  This exhibition run until June 21st, 2013

 

For more information visit here.

 

 

Posted in current | Tagged , , , , , , , , , , , , , , , , , , | Leave a comment

©2011 San Francisco Arts Quarterly