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Enrique Chagoya’s “Freedom of Expression” opens tomorrow, May 23rd, at Kala Art Institute, Oakland

2012: Super-Bato Saves the World, 2009 Courtesy of Electric Works

2012: Super-Bato Saves the World, 2009
Courtesy of Electric Works

 

Opening tomorrow, 6-8pm, at Kala Art Insitute is “FREEDOM OF EXPRESSION”, an exhibition of the work of Enrique Chagoya. Curated by Peter Selz and Sue Kubly, “Freedom of Expression” is a survey of Chagoya’s artwork from the past thirty years, including large charcoal and pastel drawings, prints, codices and three-dimensional objects, many of them completed since 2000.

 

 

When Paradise Arrived, 1988 Courtesy of the di Rosa collection

When Paradise Arrived, 1988
Courtesy of the di Rosa collection

 

Chagoya’s work incorporates historic and political subject matter to cast new interpretations of Mexico’s history and current political events. It follows in the grand tradition of the great 20th Century Mexican muralists; But it is most indebted to the legendary exponents of art of social satire: José Guadalupe Posada and Francisco Goya.

 

 

Pyramid Scheme, 2009 Digital prints on cans, silkscreen cardboard storage box Courtesy of Electric Works

Pyramid Scheme, 2009
Digital prints on cans, silkscreen cardboard storage box
Courtesy of Electric Works

 

His work invokes elements of pre-Columbian mythology, western religious iconography, and American popular culture, to address issues of Colonial conquest and its destructive wake, the problems of the border and the legacy of Mesoamerican culture. Chagoya approaches these subjects with a sharp but playful visual and verbal language, fusing a sense of irony with an incisive political and personal commentary. His innovative use of traditional media adds poignancy and surprise to his work, which are hallmarks of his art practice.

 

For more information visit here.

 

 

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“Several Species of Furry Animals Gathered Together in a Cave and Grooving with a Pict” group show at Et al. gallery in Chinatown, San Francisco

Installation view, image courtesy of Et al. gallery

Installation view, image courtesy of Et al. gallery

 

If not familiar, the title of the exhibition is also the title of a progressive, spoken word cut-up and ambient audio track by Roger Waters of the seminal 1970s band Pink Floyd. Curious, I try to find connections with the work and the title, only to be drawn repeatedly to the concept that the works are unequivocally here together – in visual conversation with each other.

 

Tony Discenza’s “The Woodcut” is a written piece of fiction describing an encounter with a gloomy and approaching figure – perhaps a ghost, while Andrew Chapman’s “1/2 WIOH” subtle grey washes echoes this mystery. Chris Hoods’ “Line of Sight” is a painted, collage canvas with kitty cats, birds and dogs falling topsy-turvy in a white-washed field. In contrast, the buzzing line-work of Aaron Finnis’s “CHROMA III (10MB data)” which creates an optical illusion to the eye.

 

 

 Aaron Finnis “CHROMA III (10MB data)”, 80" x 30", acrylic on door panel, 2013, Image courtesy of Leora Lutz

Aaron Finnis
“CHROMA III (10MB data)”, 80″ x 30″, acrylic on door panel, 2013, Image courtesy of Leora Lutz

 

In particular, the work of Cybele Lyle and Kate Bonner seemed the most complimentary. Both artists use collage and photographic images to abstract the landscape as it becomes juxtaposed with architecture. Bonner’s “Untitled” is a photo-collage sculpture situated on the floor, forcing the viewer to bend down to look at it head-on, thus reconsidering its location in the gallery and how this work is disrupting that for us. The images are photocopies of architectural photos, and they appear as slices or portals for places that are familiar but cannot be entered into. In comparison, Lyle’s “Untitled (Building Walls, #1)” seems to reiterate dislocation by rearranging photographs into architectural configurations which she then re-photographs. The images are much like a tableau vivant, with places to explore and to imagine.

 

In hindsight the show is not a departure from the title, since “Several Species…” has been equated with the late past mid-century avant-garde concrete sound poem/progressive music genre. Likewise, the work in the show leans toward fragmented, edited abstraction that all lend themselves to a poetic, visual vocabulary forming a cohesive thread, similar to a concrete poem. The show continues until June 14.

 

For more information visit here.

 

-Contributed by Leora Lutz

 

 

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Last chance to attend “Wednesday Night Salon Series” at Mills College Art Museum, May 22nd

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Tomorrow, May 22nd, is the last evening of a 3 week noise series at Mills College Art Museum. The event is 4pm – 7pm, but try to arrive early due to limited space. The selection of sound artist will play their compositions through the Oculus as part of the MFA 2013 Wednesday Night Salon Series.

 

The Oculus is an installation by Kate Short that engages with the acoustic space of the tower in the Mills College Art Museum. As a sound sculpture, the piece plays an undulating soundscape of brown noise, the lower frequencies within the audible sound spectrum.

 

This 12 channel sound installation was also constructed with the hope that others would also utilize the piece to create compositions that engage with the specific nuances of the space. This series presents the work of eleven sound artists who were given the opportunity to work within the Oculus to develop their own interpretations of the space.

 

*Due to limited space there will be 3 presentations of these works each evening. They will begin at 4pm, 5pm and 6pm.

 

May 22nd performances by:

Shanna Sordahl
Michael Mersereau
Ryan Page
Chris Duncan

 

For more information visit here.

 

 

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Orly Genger at Madison Square Park and Larissa Goldston Gallery in New York

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Red section of Orly Genger’s, “Red, Yellow and Blue” Madison Square Park, May 2013. Photo credit: Kelly Inouye

Perhaps a short blog post is not adequate to capture all that Orly Genger has going on right now, but it’s worth a try.  Genger has transformed Madison Square Park with 1.4 million feet of hand-painted, intricately knotted and layered nautical rope pulled from all over the eastern seaboard.

 

 

People resting on the yellow section of  Orly Genger’s, “Red, Yellow and Blue” Madison Square Park, May 2013. Photo credit: Kelly Inouye

People resting on the yellow section of Orly Genger’s, “Red, Yellow and Blue” Madison Square Park, May 2013. Photo credit: Kelly Inouye

 

Her installation titled “Red, Yellow and Blue” is staggering in scale and ambition, yet it’s very inviting. In spite of weighing in at over 100,000 pounds and utilizing more than 3,000 gallons of paint, Genger’s handiwork undulates through the park creating comfortable little sections and pockets of tranquility.

 

 

Part of the blue section of  Orly Genger’s, “Red, Yellow and Blue” Madison Square Park, May 2013. Photo credit: Kelly Inouye

Detail of yellow knots in Orly Genger’s, “Red, Yellow and Blue” Madison Square Park, May 2013. Photo credit: Kelly Inouye

 

Up close, it becomes apparent that the installation is actually a gigantic macramé project. Anyone who has ever tried that particular craft will realize the absurd amount of work the creation of this piece must have involved. If you can’t imagine it, you can read about how she and her studio assistants spent two years picking lobster claws and seaweed out of the rope here. The scale of this work rivals that of super-masculine icon of minimalist sculpture, Richard Serra. The colors and title give a nod to Barnett Newman.

 

 

Orly Genger, Untitled, 2012
cast bronze
8 x 8 x 9 1/2 inches Image courtesy Larissa Goldston Gallery

Orly Genger, Untitled, 2012. 
cast bronze. 
8 x 8 x 9 1/2 inches
Image courtesy Larissa Goldston Gallery

Orly Genger, Untitled, 2012
. cast bronze. 
8 x 8 x 9 1/2 inches Image courtesy Larissa Goldston Gallery

Orly Genger, Untitled, 2012
. cast bronze. 
8 x 8 x 9 1/2 inches
Image courtesy Larissa Goldston Gallery

 

Though she’s best known for showing large accumulations of rope like those in “Red, Yellow and Blue” Genger’s studio work is diverse and offers interesting context for the rope installations. In her solo show titled, “Iron Maiden” at Larissa Goldston Gallery in Chelsea, she’s currently exhibiting cast bronze and aluminum sculptures of knots and superhero-ish figures. The knotted sculptures are convoluted and full of struggle: puzzle-like if trying to trace the path of the rope from one end to the other.

 

 

Orly Genger, Digs, 2011. 
ink, watercolor, and gouache on paper. 
73 x 112 inches Image courtesy Larissa Goldston Gallery.

Orly Genger, Digs, 2011. 
ink, watercolor, and gouache on paper. 
73 x 112 inches
Image courtesy Larissa Goldston Gallery.

 

In her 2011 solo show titled “Big, Open, Empty” with the same gallery, she showed a series of large works on paper certainly inspired by the physical work involved in making the colossal piles of rope currently occupying Madison Square Park. These works depict disembodied arms of the muscular comic book variety, punching and struggling against each other.

 

 

Orly Genger, Nymphs, 2011
. gouache on paper
. 61 x 81 1/2 inches Image courtesy Larissa Goldston Gallery

Orly Genger, Nymphs, 2011
. gouache on paper
. 61 x 81 1/2 inches
Image courtesy Larissa Goldston Gallery

 

As if all this weren’t enough, she’s also collaborated with jewelry designer Jaclyn Mayer to create an elegant line of rope-inspired accessories, so everyone can wear a little part of the struggle.

 

“Red, Yellow and Blue” will be on view in Madison Square Park in New York through September 8, 2013.  “Iron Maiden” is on view at Larissa Goldston Gallery through June 22, 2013.

 

-Contributed by Kelly Inouye

 

 

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ArtMRKT San Francisco Highlights Part 3 of 3

This is the final post covering ArtMRKT 2013, part 3 of 3.  The fairs are all done this year in San Francisco and all the galleries are packed up and one their way to their respective homes. ArtMRKT proved to be a success this year with record attendance and sales. 2013 marks a new chapter for art fairs in San Francisco. ArtPad SF also made an impact this past weekend with a solid performance at their venue the Pheonix Hotel in the Tenderloin/Lower Polk area. We will power through these images to give you an idea of what was on view. Enjoy.

 

Eleanor Harwood Gallery, San Francisco

 

 

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Paul Wackers

Paul Wackers

 

FOR-SITE Foundation, San Francisco: Booth #305

 

Amandamayi Arnold

Amandamayi Arnold

 

Shin Gallery, New York:  Booth #113

 

 

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Cynthia Corbett Gallery, San Francisco

 

 

Andy Burgess

Andy Burgess

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Sandra Lee Gallery, San Francisco: Booth #221

 

 

Brett Amory

Brett Amory

Brett Amory

Brett Amory

 

Modernbook Gallery, San Francisco:  Booth #311

 

 

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Venus Kawai

Venus Kawai

 

Spoke Art, San Francisco:  Booth #207

 

 

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Gail Severn Gallery, Sun Valley:  Booth #213

 

Hung Liu

Hung Liu

Bean Finneran

Bean Finneran

 

p l m Gallery, Toronto:  Booth #206

 

 

IMG_4316

Wil Murray

Wil Murray

Wil Murray

Keith W. Bently

Keith W. Bently

 

Seager Gray Gallery, Mill Valley:  Booth #217

 

 

Jessica Drenk

Jessica Drenk

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SFMOMA Artists Gallery, San Francisco:  Booth #122

 

 

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Willard Dixon

Willard Dixon

 

Gallery Paule Anglim, San Francisco

 

 

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Barry McGee

Barry McGee

Richard Shaw

Richard Shaw

 

Fouladi Projects, San Francisco:  Booth #205

 

 

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Stephanie Breitbard Fine Arts, Mill Valley:  Booth #121

 

 

Paul Norwood

Paul Norwood

 

Stephen Wirtz Gallery, San Francisco:  Booth # 203

 

 

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Todd Hido

Todd Hido

Todd Hido

Todd Hido

 

Paul Thiebaud Gallery, San Francisco:  Booth #107

 

 

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San Jose Institute of Contemporary Art, San Jose:  Booth #103

 

 

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Walter Bischoff Galerie, Germany:  Booth #123

 

 

Hans Rentschler

Hans Rentschler

 

Shark’s Inc., Colorado:  Booth #102

 

 

Matthew Palladino

Matthew Palladino

Matthew Palladino

Matthew Palladino

 

Timothy Yarger Fine Art, Beverly Hills:  Booth #219

 

 

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SLATE Contemporary, Oakland:  Booth #420

 

 

Carol Inez Charney

Carol Inez Charney

Diane Rosenblum

Diane Rosenblum

 

Gallery Sam, Oakland

 

 

Roy Lerner

Roy Lerner

Karl Zerbe

Karl Zerbe

 

Meyerovich Gallery, San Francisco

 

 

John Baldessari

John Baldessari

Frank Stella

Frank Stella

 

Elins Eagles-Smith Gallery, San Francisco:  Booth #115

 

 

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All done!  Hope you enjoyed the coverage from the fairs, and next year make time to visit them in person and experience the fairs first hand.

 

For more information on ArtMRKT visit here.

 

 

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ArtMRKT San Francisco Highlights Part 2 of 3

The fairs are all done this year in San Francisco and all the galleries are packed up and one their way to their respective homes.  ArtMRKT proved to be a success this year with record attendance and sales.  2013 marks a new chapter for art fairs in San Francisco.  ArtPad SF also made an impact this past weekend with a solid performance at their venue the Pheonix Hotel in the Tenderloin/Lower Polk area.  This post is part 2 of 3 of ArtMRKT.  We will power through these images to give you an idea of what was on view.  Enjoy.

 

 

Attendance at ArtMRKT 2013

Attendance at ArtMRKT 2013

 

Kopeikin Gallery, Los Angeles:  Booth #509

 

 

Alejandro Cartagena

Alejandro Cartagena

Katrin Korfmann

Katrin Korfmann

Andy Freeberg

Andy Freeberg

 

Romer Young Gallery, San Francisco: Booth #507

 

 

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IMG_4141IMG_4144

 

 

Muriel Guepin Gallery, New York: Booth #505

 

 

 

Gabriel Barcia-Colombo

Gabriel Barcia-Colombo

 

Quint Contemporary Art, La Jolla: Booth #401

 

 

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IMG_4166

 

Rena Bransten Gallery, San Francisco

 

 

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Hung Liu

Hung Liu

 

Steven Zevitas Gallery, Boston: Booth #403

 

 

Taravat Talepasand

Taravat Talepasand

 

Brian Gross Fine Art, San Francisco:  Booth #405

 

 

IMG_4174IMG_4176

 

MODERNISM INC., San Francisco: Booth #507

 

 

Mel Ramos

Mel Ramos

Mel Ramos

Mel Ramos

James Hayward

James Hayward

 

Nancy Hoffman Gallery, New York: Booth #209

 

 

Hung Liu

Hung Liu

IMG_4186

Michele Pred

Michele Pred

 

K. Imperial Fine Art, San Francisco:  Booth #409

 

 

Masako Miki

Masako Miki

Tahiti Pehrson

Tahiti Pehrson

IMG_4193

 

Jenkins Johnson Gallery, San Francisco and New York:  Booth #411

 

 

Scott Fraser

Scott Fraser

Lalla Essaydi

Lalla Essaydi

 

Skidmore Contemporary Art, Santa Monica:  Booth #215

 

 

Tom McKinley

Tom McKinley

Tom McKinley

Tom McKinley

IMG_4204

 

Forum Gallery, New York:  Booth #201

 

 

David Mach

David Mach

Davis Cone

Davis Cone

 

Dolby Chadwick Gallery, San Francisco:  Booth #303

 

 

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Part 3 of 3 coming soon.  For more information visit here.

 

 

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ArtPad SF Highlights Part 2 of 2

We have one more day (Sunday) to see the fairs while they are in town.  It’s your chance to get an idea of the programming from local, national, and international galleries all in one, actually two locations in San Francisco. This is part 2 of 2 of the highlights from ArtPad SF 2013.  Enjoy the images below, and make it out to the Tenderloin/Lower Polk area to hang out by the pool, have some drinks, and enjoy some artwork by hundreds of artists.  More coming soon from ArtMRKT San Francisco.

Also we would like to congratulate the graduating class of 2013 from CCA, SFAI, and Mills College. Stay connected to you artistic practice and make your mark in art history!!!

 

What is Art? Live!!! is at ArtPad SF again this year and they have a booth dedicated to their television/online show displayed on flat screens as well as some artwork on the walls.  If you haven’t seen their show before find it online.  It’s g-r-e-a-t stuff.

 

 

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Queens Nails Gallery is at ArtPad too, one week after being in New York for NADA art fair.  Their jet setting lifestyle shows how dedicated they are to their artists as well as their curatorial duties.  Queens Nails has been pushing the bar for progressive experimental art in the Bay Area for years and they don’t plan on stopping anything soon.  Their room has some really great works that need your time and attention.  Visit them and say hi.

 

 

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Oakland is at ArtPad SF and is making sparks fly with their video and photography program.  Krowswork is one of the most experimental spaces in Oakland pushing the digital and photographic art forms.  Installation and sculptural works make their way into the program but are sometimes necessary and attractive accents to the exhibitions.  Krowswork really did a great job at their booth this year.

 

 

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Johansson Projects is back for their 3rd year at ArtPad SF.  Johansson Projects has been an anchor for the Oakland art community and were one of the first galleries who promoted experimental works and installation, working incredibly hard to make their mark in the East Bay.  Check out their booth at ArtPad SF to see what they have in their annual program.

 

 

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Blythe Projects came up from Los Angeles again.  Here are a couple works that i saw people huddled around during the opening party.  Good to see LA in San Francisco.  Welcome, come again soon.

 

 

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One gallery I was particularly excited to see at ArtPad SF was Moniquemeloche Gallery from Chicago.  Chicago has an incredible art scene right now.  They are slowly branching out to surrounding cities and it is a pleasure to have a Chicago gallery in San Francisco.  The sensibility of art is very different from the Bay Area and is refreshing to see in the city.  Make your way to visit this room, a must see.

 

 

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Steven Wolfe is another San Francisco gem.  Their room is well articulated with some interesting work that will hold your attention for more than a quick glance.  Their window display is very eye catching, peeking from behind some palms on the second floor of the hotel.  Another booth re recommend you to spend some time in this weekend.

 

 

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Unspeakable Projects from San Francisco are at ArtPad and brought some interesting flat and sculptural works.  It was pretty crowded in their room when I went in and could only get a couple good images.  Find you way to their booth to see more.

 

 

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Mark Wolfe Contemporary is a local gallery in downtown San Francisco who has been exhibiting work seen seldom in the Bay Area.  Some of the paintings they had on view I never seen before an was completely thrilled to see their inclusion in their programming.  They killed it this year, returning back to ArtPad in 2013.  Visit Mark Wolfe Contemporary’s booth to see some really amazing paintings.

 

 

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New Image Art from LA came up to join us again in San Francisco art ArtPad SF.  Their booth is the largest at the fair bringing some of the largest works on view at the fair.  The production of their efforts is admirable, and can be easily detected when stepping into their space.   More and more LA in San Francisco.

 

 

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Last but not least is beta pictoris gallery and Maus Contemporary from Birmingham, Alabama.  I’ve heard of these galleries before but haven’t had the opportunity to see the work they show in person.  I don’t see a trip to Alabama in the near future, so thank you for making it convenient for us Bay Area dwellers.  Below are a few amazing paintings that need to bee seen in person and not on a computer screen… but ill upload them anyways to make it easy.  Enjoy.

 

 

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This concluded the coverage for ArtPad SF 2013.  Hope you enjoyed the photographs and get inspired to see the fair for yourself.  Good excuse to hang out by a pool for a few hours.  A very rare opportunity in this rain and fog plagued city.

 

For more information visit here.

 

 

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ArtMRKT San Francisco Highlights Part 1 of 3

ArtMRKT is attracting a huge amount of attendees with thousands of individuals flowing into the front doors of the pavilion at Fort Mason in the Marina District of San Francisco.  Compared to 2012 this years new location at Fort Mason is much more suiting for the exhibitors at ArtMRKT with high ceilings, skylights, and the bay water rippling on both sides of the building.  The white cube fair allows for galleries to exhibit works from their program at ease on blank white walls that resemble traditional art galleries.  The fair has a wide range of galleries participating from alternative spaces, non profits, emerging, and the blue chip galleries from around the nation.  Find time to enjoy an afternoon at Fort Mason with your friends and family and check out this fair.  There’s also much more to do around the perimeters of Fort Mason including hiking and good eats.  SFAQ has complimentary day passes for you.  Follow the link here.  Enjoy.

 

Lets begin with Edward Cella Art + Architecture from Los Angeles.  As you walk into the exhibition hall, the East corridor you will find yourself faced with their selection of works.  A couple pieces attracted a crowd and their booth was a nice introduction to the fair.

 

 

Mark Harrington

Mark Harrington

Video by George Legrady

Video by George Legrady

 

Catharine Clark Gallery brought some impressive works with her this year.  The gallery is currently moving from its SOMA location next to SFMOMA to Potrero Hill in San Francisco.  The new warehouse space is getting build now as we speak and will be an amazing venue for her programming.  Brian Gross’ new gallery will be included in the building, adding a different artistic sensibility to the block.

 

Al Farrow

Al Farrow

Titus Kaphar

Titus Kaphar

 

Eli Ridgway Gallery brought a little bit of everything from their programming.  The gallery resides next to SFMOMA and is now at ArtMRKT for the weekend to show off what artists have exhibited the past couple years.  Eli Ridgway Gallery is a popular destination for art enthusiasts and if you haven’t attended one of their opening, find the time to go one evening.  Great gallery, great owner, great artists.

 

 

Matthew Palladino

Matthew Palladino

Brion Nuda Rosch

Brion Nuda Rosch

 

James Sterling Pitt

James Sterling Pitt

 

Ever Gold Gallery and Park Life from San Francisco are sharing a booth and bringing an amazing selection of works from their artists.  The Ever Gold Gallery is a great contemporary space in the Tenderloin bringing some of the most progressive programming to the cultural landscape of San Francisco.  Commonly known as one of the few gems in the Tenderloin District for their artistic efforts.  Park Life is a hybrid gallery and retail space in the Richmond District and are also commonly known as a gem for their neck of the city.  Last year they brought a few retail items to their booth, but this year they decided to go forward and show simply works from their exhibition calendar for the past couple years.

 

 

Installation view.  Mark Mulroney, Sandy Kim, and Adam Parker Smith

Ever Gold Gallery Installation view. Mark Mulroney, Sandy Kim, and Adam Parker Smith

Adam Parker Smith.  Ever Gold Gallery.

Adam Parker Smith. Ever Gold Gallery.

 

Adam Parker Smith.  Ever Gold Gallery.

Adam Parker Smith. Ever Gold Gallery.

Park Life Installation view.

Park Life Installation view.

Tauba Auerbach.  Park Life.

Tauba Auerbach. Park Life.

 

Swarm Gallery from Oakland is at ArtMRKT, who have recently announced that they will be closing their doors this year.  Even though they are closing, their participation in the fair shows their dedication to their artists and their program.  Its great to see a space going out with a BANG.  A truly well articulated booth; a must see.

 

 

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Another Oakland gallery, Chandra Cerrito came to ArtMRKT bearing many sculptures by Bay Area artist Randy Colosky.  His work has developed over the years and are worth a visit.  Below are a few that were brought along to Fort Mason.  Nice to see Oakland representing in San Francisco.

 

 

Randy Colosky

Randy Colosky

Randy Colosky

Randy Colosky

 

 

KALA Institute is one of the most amazing non profits in the East Bay and have a solid booth with pretty to look at.  Offering some of the most amazing classes and workshops, fellowships, and exhibition program it is great to see them at ArtMRKT.  Check out their studios and gallery off Ashby and San Pablo in the East Bay someday if you ever close by.

 

 

 

KALA Institute installation view.

KALA Institute installation view.

 

Hespe Gallery came with a wide selection a swell for your viewing pleasure.  Here are a couple works that caught my attention.  Kim McCarty is great LA based artist and recently written about on the SFAQ blog for here project at the Santa Monica Museum of Art.

 

 

Kim McCarty

Kim McCarty

Lawrence Gipe

Lawrence Gipe

 

Jordan Faye Contemporary came all the way from Baltimore to join us on this sunny San Francisco weekend.  They brought one of the more impressive sculptures to the fair, which splits their space in half.  A great center piece for their booth made from 150 year old reclaimed wood.

 

 

Lat Maylor

Lat Maylor

 

Julie Nester Gallery from Park City came to San Francisco’s ArtMRKT this year.  Wasn’t too familiar with their programming but was an enjoyable experience visiting their booth.  A couple great circular sculptures stand in the space that brought me across the hall to say hi.

 

 

Installation view.

Installation view.

Duncan Johnson

Duncan Johnson

 

An international gallery called Sundaram Tagore Gallery came to San Francisco and have galleries in New York, Hong Kong, and Singapore.  Sounds like a huge operation their running and it was great to see their incorporation in a fair in the Bay Area.  The Bay Area get scrutinized for the lack of collectors, but they came across the country and globe to see what collectors in San Francisco are interested in their artists.  A couple gestural paintings stood out.

 

 

Vittorio Mating

Vittorio Mating

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Tel Aviv is in the house and brought some very large scale works to San Francisco.  Zemack Contemporary Art is in the Bay Area, bringing a great discourse to visitors at the fair.  It is great to see their efforts to connect to the artistic community here.  Many people were strolling by their space snapping photo with the iPhones.

 

 

Installation view

Installation view

Mira Maylor

Mira Maylor

 

Jack Fischer came to ArtMRKT too and brought a couple heavily textured paintings that caught my attention.  These photos don’t do the work justice, and deserve a visit in person.  The thick application of paint becomes hypnotic and you stare deeper into the surface of the works.

 

 

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Mindy Solomon Gallery is back this year at ArtMRKT and brought an even selection of sculptural and flat works fro you to see.  The works on view complement one another and easily accompany each other in the booth.  Mindy Solomon Gallery is located in St. Petersburg, Florida.

 

 

Installation view

Installation view

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Another San Francisco gallery, Mirus Gallery, came to ArtMRKT.  Recent addition to the SOMA art scene, Mirus has been bringing a new venue for some interesting artists.  Some of them rooted in spiritual geometries, and others in formal aesthetics of materials.  Check out these works in person, they have an effect close to psychedelics on a sunny San Franciscan grass covered hill. Enjoy.

 

 

Installation view

Installation view

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Thats it for now.  More coming soon.  Enjoy.

 

For more information visit here.

 

 

 

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ArtPad SF Highlights Part 1 of 2

This is an insane weekend for San Francisco, with 2 art fairs, 2 MFA exhibitions, 2 graduation ceremonies, galleries reopening their spaces, and all the openings, screenings, and performances too.  We will be posting continually on the fairs in SF, and then follow up with the MFA exhibitions at CCA and The Old Mint for SFAI next week.  We hope you enjoy the posts, and don’t forget to visit SFAQ at the fairs to pick up the newest issue.  This is a quick breeze through the exhibitions to give you an idea of what to expect with some snap-shots for your eyes to chew on.

 

Lets begin with The Popular Workshop, a great gallery in the city pushing progressive work that you and everyone’s mom needs to check out.  They have a solid booth and the walls are completely covered with little room to spare.  Many galleries clutter their space, but they managed to make it work.  Visit there current show too, close to Sutter and Polk Streets.  Its worth a trip to the Lower Polk area.

 

 

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Next is CES Contemporary from Laguna Beach.  They same from sunny Southern California to give you a taste of their programming.  Good to know that Laguna Beach has some contemporary spaces that promote some interesting work.

 

 

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The next booth is a complete gem and is one of the most amazing alternative galleries in San Francisco and the greater Bay Area.  2nd Floor Projects is  a-m-a-z-i-n-g  and if you haven’t had the chance to visit you should.  Their flat file sales are special and very few people know about what they do.  Margaret Tedesco runs the space and curates the gallery’s programming as well as her archived library of ephemera and texts.  I bought an out of print record by The Alps with packaging that Tauba Auerbach designed using her unique pop up paper processes.  Mike Kuchar can also be found here at her booth, so check out what else she brought in person.  Definitely a must see, and meet Tedesco in person, she’s awesome.

 

 

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Electric Works came and brought some Robert Minervini paintings with them.  Minervini is their current show at their new space in San Francisco and is worth a visit.  Great painter based in San Francisco who is currently abroad for the next few months making new works for your viewing pleasure.

 

 

 

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Last for the ArtPad SF highlights part 1 of 2 is Walter Maciel Gallery from Los Angeles.  This piece on the back wall of their booth was getting attention from visitors during the opening party.  Nice to see some LA in SF.  Doesn’t happen enough.

 

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That’s it for now.  More coming soon.  For more information visit here.

 

 

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Koen Vanmechelen’s “Leaving Paradise” at Connersmith Gallery in D.C.

Installation view. Courtesy of gallery.

Installation view. Courtesy of gallery.

"Leaving Paradise", 2013. Taxidermied Red Jungle Fowl (chick), wood, 8 x 8 x 8 inches, unique. Courtesy of gallery.

“Leaving Paradise”, 2013. Taxidermied Red Jungle Fowl (chick), wood, 8 x 8 x 8 inches, unique. Courtesy of gallery.

 

Animal breeding has always been a highly aestheticized field; we select and perpetuate certain genetic traits based on how well they fit the “look” of a species. The results often  says more about civilization, and man’s relationship with the wild, than it does about the natural order. Koen Vanmechelen’s art, currently up in a new show “Leaving Paradise” at Connersmith Gallery in D.C., has examined this relationship for years now, producing a prolific body of art and scientific research all things chicken related.

 

 

Installation view.  Courtesy of gallery.

Installation view. Courtesy of gallery.

Cosmopolitan Chicken Project (C.C.P.), 1999-2013
Pedigree installation.  Courtesy of gallery.

Cosmopolitan Chicken Project (C.C.P.), 1999-2013
Pedigree installation. Courtesy of gallery.

 

 

Koen would be the first to say that it’s not about the chicken at all. Chicken portraits, taxidermy chickens, a chicken eye video loop, and indeed, a live chicken installation piece may be enough to convince you that the artist has a peculiar fowl obsession, but this work is all but a cog in an ultimately larger view, for Vanmechelen the chicken represents humanity in general. He has been steadily working for some time on a “Cosmopolitan Chicken Project” in which he has been breeding birds from different global regions to counteract their domestic traits. Rumor has it he’s produced a chicken that can fly, this being the ultimate symbolic liberation for the flightless bird, an inherent contradiction and testament to the artificiality normally imposed on domestic breeds. His fixation on biodiversity is not in the traditional “heirloom” sense, rather than breed chickens back to their ancestral origins, his breeding perpetuates their evolution, giving the chicken a chance to forage a new identity.

 

 

Natural Knowledge, 2013. encyclopedia of human rights, chicken feet (Red Jungle Fowl), wood, 19.75 x 12 x 8 inches, unique.  Courtesy of gallery.

Natural Knowledge, 2013. encyclopedia of human rights, chicken feet (Red Jungle Fowl), wood, 19.75 x 12 x 8 inches, unique. Courtesy of gallery.

Carried By Generations, 2011. chicken feet, glass, 6 x 18 x 10.75 inches.  Courtesy of gallery.

Carried By Generations, 2011. chicken feet, glass, 6 x 18 x 10.75 inches. Courtesy of gallery.

 

 

Though scientific methods are employed in his artistic pursuits, Vanmechelen remains at a distance from the scientific world, and firmly rooted in art practice. The chicken has become a medium for him to disseminate his views on globalization, humanity, identity and personal agency, his extensive record of the process feels more relevant to certain Earth Artist practices of the 1970’s where artists would produce something outdoors, usually ephemeral and hard for any other humans to view, rendering the related documenting photos and artifacts the “art” for purposes of gallery shows and sales. This focus on the work, a process, and not the product, a commodity, feels faintly retro in its adherence to proto post-modernist rejection of the consumer orientation of the art world. The objects produced are beautiful, disturbing, iconoclastic and creative, but the ideas behind the work he does is where the real art happens.

 

For more information visit here.

 

-Contributed by Kathryn McKinney

 

 

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